Here's a nice explanation of what happens when you use an old printer in a modern workflow, from Adobe's Jim King: "Since the most notorious color gamut compressions involve reducing the total number of colors that can be represented going back to the original values is usually impossible. What has been lost is lost.
So it is best to delay any steps where gamut compression can occur to avoid reducing the gamut of the data we have. It must be done for output to gamut reduced devices but it is best to reduce your data in this way only in the last step."
In other words, work your workflow. Save your file for discovery. Then target for your old printer and print your exhibits.
Enjoy.
This blog is no longer active and is maintained for archival purposes. It served as a resource and platform for sharing insights into forensic multimedia and digital forensics. Whilst the content remains accessible for historical reference, please note that methods, tools, and perspectives may have evolved since publication. For my current thoughts, writings, and projects, visit AutSide.Substack.com. Thank you for visiting and exploring this archive.
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