From the Video Road blog:
"... Trying to understand video color precision is, well, a confusing task. There are so many different terms floated around - 8-bit and 10-bit color are used to describe cameras, while software talks about 8 bits per channel, 16 bits per channel, and 32-bits per channel "floating point" color. What does it all mean?? And, for the colorist, how does Premiere Pro handle color?? If these are burning questions in your mind, then read on."
Enjoy.
This blog is no longer active and is maintained for archival purposes. It served as a resource and platform for sharing insights into forensic multimedia and digital forensics. Whilst the content remains accessible for historical reference, please note that methods, tools, and perspectives may have evolved since publication. For my current thoughts, writings, and projects, visit AutSide.Substack.com. Thank you for visiting and exploring this archive.
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